ERROR

ROMA CORPOREALITY AND THIER NON-BINARY SPACES

Kair Artist Residence Kosice, MeetFactory Prague 2021


WE* ARE AN ERROR


WE ARE A GLITCH IN THE SYSTEM FORCED UPON YOU; WE ARE A MISTAKE TO YOU


OUR PHYSICALITY IS A CONCEPT THAT CONFRONTS AND DISMANTLES THE NORMATIVE ARCHITECTURE YOU HAVE BUILT UPON HATRED AND REPRESSION


OUR IDENTITY IS AN UNSETTLING GAP IN YOUR CONSCIENCE


THE ROMA BODY’S EXOTICISM IS A FETISH OF PAINFUL PLEASURE TO YOU


ROMA PHYSICALITY BECOMES A RADICAL TECHNOLOGY OF SELF-ARMORING


WE STRATEGICALLY USE OUR BODIES AS MATERIAL, THE MATERIAL AS AN INSTRUMENT, THE INSTRUMENT AS A WEAPON AGAINST YOUR HETERONORMATIVE LINEARITY.


WE HAVE STRATEGICALLY LEARNED TO USE OUR ERROR AS SELF-DEFENSE


UP UNTIL TODAY, YOU HAVE CREATED DECEPTIVE AND DIRTY OPINIONS OF US, THEREFORE YOU DON’T KNOW WHO WE ARE


TODAY, LOUDLY AND WITH SOVEREIGNTY, WE* ARE SPEAKING UP DEMONSTRATIVELY TO REFRAME THE IMAGE OF ROMA IDENTITY



curatorial text for Jindrich Chalupecky Award 2021

Karina Kottova




“I’m ashamed of myself, and that’s your fault,” says the young non-binary Roma participant, one of 27 unique beings connected by the communal project ERROR initiated by the artist Robert Gabris. During his residency in Košice in the spring, Gabris used dating apps to meet representatives of the Roma queer and non-binary minority – a “multi-marginalized” community whose members are outsiders vis-a-vis both the majority society and the Roma ghetto environment from which this particular group hails. LGBTQIA+ dating apps, which could offer a safe space to connect people who might otherwise have difficulty finding each other, only present yet another platform that enables exploitation, racism and sexual violence against them.


At the meetings between Robert Gabris and the representatives of this heterogeneous group, they shared their experiences, dreamed of alternatives, and attempted to formulate collective demands. A series of interviews and intimate photographs arose, connecting the subjects’ bodies, reflecting individual and collective traumas and feelings of guilt and shame, yet also carrying an emancipatory potential, a longing to move in a new direction. 


The photographs, printed on cloth, partially unstitched, form the core of Gabris’s installation at the Moravian Gallery, along with texts excerpts from their conversations together. Through the fabrics and networks of threads, the space becomes physically inaccessible, yet transparent. It is an exclusive place into which exhibition visitors can only view from the outside, because, from their usually privileged position, they are unable to fully understand it. This arrangement is also a demand on art institutions, which are attempting to become more inclusive places than they have been traditionally, to assume an even more radical position – to offer a space within their inclusivity for something quite exclusive; to provide a territorial space they themselves cannot enter, only assist from outside with humility. The physical installation in the gallery is just one element in the whole project.


In addition to the meetings with representatives of the aforementioned community, Gabris is also forging further alliances, with health centers, allied political representatives, non-governmental organizations and a number of further groups and individuals who could contribute to at least a partial shift in addressing the many burning themes surrounding the existence of this group – whether it be about lack of access to and awareness of health care options, the ubiquitous poverty and prostitution as one of few options for generating income, or issues of self-awareness and support systems, security, improving the status of queer, trans and non-binary Roma within their own families and communities, etc. The intention of the project is to establish a long-term platform for finding new ways and further uniting this community, which has been rather disparate until now. The temporary space at this year’s Jindřich Chalupecký Award exhibition is the testimony to the dream of creating a real, physical space that would be a safe environment for meeting, mutual care and development. During the exhibition, it will also become an arena for internal discussion that could give a more concrete shape to the existing vision.




Photos: Linda a Daniela Dostalkova



Creating Safe Spaces

Interview with Denisa Tall Tomkova for BerlinArtLink

https://www.berlinartlink.com/2021/06/18/robert-gabris-queer-roma-artist-interview/


Umění je safe space i nástroj boje za rovnoprávnost

Katarina Hladekova a Marika Kupkova pre Artalk.cz

https://artalk.cz/2021/07/19/robert-gabris-umeni-je-safe-space-i-nastroj-boje-za-rovnopravnost/?fbclid=IwAR1htT6M-tWoJVAs-dT1ZyHkO-5FsXQvZjQ4D8p0yxZAeqpQM-eT1sKeWZ4